Segurança

A Polícia Federal do Piauí deflagrou ontem, a Operação Estivas, com o objetivo de desbaratar uma quadrilha de roubo de cargas em rodovias federais no Norte e Nordeste do país. 

Foram executados 32 mandados de busca e apreensão e 15 prisões, no Piauí, Ceará, Pará e São Paulo. 

O delegado Janderlyer Gomes, responsável pela ação, afirmou que a quadrilha agia em vários estados e que as tarefas como, assaltos a mão armada,contabilidade e falsificação. eram distribuídas entre seus integrantes.

Chocolate

[...] novidades da Páscoa

Os ovos de Páscoa estão cada vez mais recheados, decorados, refinados, enfim, menos ovos e mais guloseimas! Os trufados são sucesso de público, e tem aqueles que você compra só a metade, que vem repleta de algum doce maravilhoso e bem calórico. Agora até os cupcakes, bolinhos que não param de chamar a atenção do consumidor “formiga”, foram para dentro do ovo. A Munik lança nesta Páscoa um ovo de chocolate ao leite com cupcakes recheados com mousse de chocolate, de 300 gramas, vendido a R$ 29. Há lojas da marca na capital e no interior de São Paulo.

Para os calorentos, a Folie, que vende só na capital paulista, lança um ovo recheado de macarrons com sorvete. Sim! Os franceses macarrons também viraram recheio de ovo de Páscoa. A casca pode ser de chocolate ao leite ou meio amargo e são três opções de sorvete: nata com macaron de brigadeiro, creme com lavanda com macaron de chocolate branco e limão siciliano com macaron de chocolate de origem. Todos têm 1 quilo e são vendidos a R$ 140 cada. O ovo vem com uma mala térmica forrada com gelo seco e com uma colherinha para comer em qualquer lugar. Nhami! Olha a foto abaixo, não tem uma cara ótima?

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Evangelho

[...] 

Muitos crêem em Jesus

Leitura Orante

Jo 10,31-42

De novo, os judeus pegaram em pedras para apedrejar Jesus. E ele lhes disse: "Eu vos mostrei muitas obras boas da parte do Pai. Por qual delas me quereis apedrejar?" 

Os judeus responderam: "Não queremos te apedrejar por causa de uma obra boa, mas por causa da blasfêmia. Tu, sendo apenas um homem, pretendes ser Deus"!

 Jesus respondeu: "Acaso não está escrito na vossa Lei: 'Eu disse: sois deuses'?... Se a Lei chama deuses as pessoas às quais se dirigiu a palavra de Deus, por que, então, acusais de blasfêmia àquele que o Pai consagrou e enviou ao mundo, só porque disse: 'Eu sou Filho de Deus'?... Mas se eu faço as obras do meu Pai ... crede nas minhas obras, para que saibais e reconheçais que o Pai está em mim e eu no Pai". 

Mais uma vez, procuravam prendê-lo, mas ele escapou das suas mãos. Jesus se retirou de novo para o outro lado do Jordão, para o lugar onde João esteve batizando... E muitos, ali, passaram a crer nele. 

画

历史上的今天：1874 - 展览标志着印象派运动的开端
约30谁是不是由法国巴黎官方沙龙接受陪审团面前暴露自己决定1874年4月15日的艺术家，在摄影工作室菲利克斯Tournachon他的作品，更好地了解他的绰号纳达。展览由举办的“无名氏画家，雕塑家和篆刻学会”，是由毕沙罗，莫奈，西斯莱，德加，雷诺阿，塞尚，Guillaumin与巴馥Morisot。几天后，影评人路易在有关展览审查乐华，谈到了“印象派”的参考由莫奈画题：“印象旭日东升”（打印的旭日。）
早在1863年，爱德华马奈画他的作品最有名的画。会暴露在同一年在沙龙德拒绝了，由一吃就在两个男人穿着女人裸体午餐公司困扰基层的批评。在这项工作中，“乐Dejeuner欧莱雅herbe河畔，与学术技术马奈休息，以用什么将是印象派的原有特色。
印象派绘画的风格特点主要是由一个场景或对象和原色没有把它们组合，小中风的反射光来模拟实际使用而生产的一般印象集中。此外，阴影不再不透明，消失的光黑暗的反差。他的臣民是风景，舞蹈，日常生活，肖像和自画像，赛船，海洋景观和内陆都市风光场面。
印象派是一个重大的艺术运动，首先是在美术，后来在音乐（克劳德德彪西，拉威尔），发达国家在法国主要是在十九世纪和二十世纪初，1867年和1886年之间更加集中在过去的几十年工作组的艺术家谁它们之间共享的主题，技巧和展览。印象派画家们的主要莫奈，奥古斯特雷诺阿，毕沙罗，西斯莱阿尔弗雷德，伯特Morisot，阿尔芒Guillaumin和弗雷德里克Bazille。
埃德加德加和塞尚画中也为在19世纪70年代早期印象派风格的时间。著名画家爱德华马奈，他们的工作极大地影响了莫奈的19世纪60年代及本集团别人，也接近1873年的印象派。
印象派创始人是动画的愿望，打破与官方艺术。官方理论认为，颜色应该是整齐的，而不是放在屏幕调色板上混合尊重他们将其中的一些，只有很短的时间。事实上，印象派更是一个比一个技术的心态，使艺术家可以从其他地区也可作为印象派描述。这些画家很多忽视了同时对比规则为成立于1823年由Chevreul。术语“独立”或“户外画家”可能更为恰当分类那些从印象派画家德拉克洛瓦，谁认为，设计和颜色是一个整体继承了传统的继承。
1870年普法战争爆发这些先驱。 Bazille被打死在Beaune香格里拉- Rolande，雷诺阿动员;德加开始作为一名志愿者，塞尚退休的普罗旺斯，毕沙罗，莫奈和西斯莱搬到伦敦，在那里，他们满足保罗杜兰德-鲁埃尔。这是在伦敦停留在印象派的演变很大的一步，一方面是因为他们已经建立了联系，经销商作为发现在特纳的光，标志着分析绘画。
回到巴黎，大部分的画家在阿尔去工作（莫奈，雷诺阿），槎头（雷诺阿），马尔利（希思黎），或在河上瓦兹（毕沙罗，Guillaumin，塞尚）。马奈画与莫奈塞纳河谁，他的影响下，通过在室外工作。
它们之间最大的区别在于颜色和味道轻的吸引力。然而，伯特Morisot仍然忠实于马奈的教训，德加合并，他的安格尔和意大利文艺复兴时期画家钦佩，塞尚试图把握普桑的性质，莫奈自己，表中的“Terrasse金哈佛”和“莱斯美图区渣甸山花园（1866年，卢浮宫，Jeu德Paume厅），远没有大胆地宣布他的未来。

Painting

Today in History: 1874 - Exhibition marks the beginning of the Impressionist movement


About 30 artists who were not accepted by the jury of the Salon de Paris Official expose themselves decide on April 15, 1874, his works in the studio of photographer Felix Tournachon, better known by his nickname Nadar. The exhibition, organized by "Anonymous Society of Painters, Sculptors and Engravers," was composed of Pissarro, Monet, Sisley, Degas, Renoir, Cezanne, Guillaumin and Berthe Morisot. A few days later, the critic Louis Leroy in a review about the exhibition, spoke of "Impressionists" with reference to the title of a painting by Claude Monet: "Impression soleil levant" (Print of the Rising Sun.)
Earlier in 1863, Edouard Manet painted the most famous painting of his work. Would be exposed in the same year at the Salon des Refuses and critics bothered by the nudity of a woman eating lunch on the grass in the company of two men dressed. In this work, "Le Dejeuner sur l'herbe, Manet breaks with academic techniques to use with the original characteristics of what would be the impressionism.
The Impressionist style of painting was characterized mainly by concentrating on the general impression produced by a scene or object and the use of primary colors without mixing them and small strokes to simulate actual reflected light.Moreover, the shadows are no longer opaque, disappear the light-dark contrasts. His subjects were landscapes, dances, scenes of daily life, portraits and self portraits, regattas, seascapes and inland urban scenes.
Impressionism was a major artistic movement, first in the fine arts and later in music (Claude Debussy, Maurice Ravel) that developed mainly in France during the last decades of the nineteenth and early twentieth century, more concentrated between 1867 and 1886 by work of a group of artists who shared between them themes, techniques and exhibitions. The principal Impressionist painters were Claude Monet, Auguste Renoir, Camille Pissarro, Alfred Sisley, Berthe Morisot, Armand Guillaumin and Frederic Bazille.
Edgar Degas and Paul Cézanne also painted in an Impressionist style for a time in the early 1870s.The well known painter Edouard Manet, whose work of the 1860s greatly influenced Monet and others of the group, also approached the impressionism in 1873.
The founders of Impressionism were animated by the desire to break with the official art. The official theory that the colors should be placed in neat screen rather than mixing them on the palette would be respected by a few of them and only a short time. In fact, Impressionism was more a state of mind than a technique, so that artists from other areas could also be described as impressionistic.Many of these painters ignored the rule of simultaneous contrast as established by Chevreul in 1823. The terms "independent" or "outdoor painters" might be more appropriate to classify those that Impressionist artists carrying on the tradition inherited from Eugène Delacroix, who considered that the design and colors were a whole.
The Franco-Prussian War of 1870 broke these pioneers. Bazille was killed in Beaune-la-Rolande, Renoir was mobilized; Degas started as a volunteer; Cézanne retired to Provence, Pissarro, Monet and Sisley moved to London where they meet Paul Durand-Ruel. This stay in London was a big step in the evolution of Impressionism, both because they have established contact with 'dealers' as found in the painting of Turner's analysis of the light that marked.
Back in Paris, most of the painters went to work at Argenteuil (Monet, Renoir), Chatou (Renoir), Marly (Sisley), or on the river Oise (Pissarro, Guillaumin, Cézanne). Edouard Manet painted the Seine with Claude Monet who, under his influence, adopted the outdoor work.
The biggest difference between them lay in the attraction of color and taste for light. However, Berthe Morisot remained faithful to the lessons of Manet, Degas merged his admiration of Ingres and the Italian Renaissance painters, Cézanne tried to grasp the nature of Poussin, Claude Monet himself, in the tables "Terrasse au Havre" and "Les Femmes au jardin (1866, Louvre, Jeu de Paume halls), was far audacity to announce his future.

肥胖

巴西人更多的脂肪。在过去的30年，5岁至9岁儿童超重率了近两倍。在美国，反对由第一夫人米歇尔奥巴马，谁发动了让我们继续（让我们的组合）从事儿童肥胖的运动。在那里，三个儿童中有一个超重。在这里，在与巴西地理统计局和国家卫生部合作进行的研究显示出类似的统计数据。今天，大约33.5％的孩子体重超过所建议的世界卫生组织（卫生组织）。在70年代，这一比率为10.7％的男生和女生8.6％。

在统计育肥是与不良的饮食习惯，尤其是越来越久坐习惯。该中心的教授，援助和支持青少年Unifesp，儿科医生和营养专家Fisberg毛罗说，学校对儿童饮食行为的主要因素之一。在采访中，他解释说，一个良好的学校环境需求提供足够的食物，锻炼身体，教育，引导和控制学生喂养。也不能撇开那些谁已经展出过重。所有没有忘记了吃的快乐本身也是菜单的一部分。

Obesity

Brazilians are more fat. Over the past 30 years, therate of children aged 5 to 9 years are overweighthas nearly tripled. In the United States, thecampaign against childhood obesity engaged bythe first lady Michelle Obama, who launched theLet's Move (Let's Mix). There, one in three childrenis overweight. Here, research conducted inpartnership between IBGE and the Ministry ofHealth revealed similar statistics. Today, about33.5% of children with weight above that recommended by the World Health Organization(WHO). In the 70s, the rate was 10.7% for boysand 8.6% for girls.

The fattening of the statistics is linked to pooreating habits, and especially to an increasinglysedentary routine. Professor of the Centre forAssistance and Support to Adolescent Unifesp,the pediatrician and nutrition specialist FisbergMauro says the school is one of the majorinfluences on eating behavior of children. In the interview, he explains that a good school environment needs to provide adequate food,physical activity to teach, guide and control thefeeding of their students. Nor can leave asidethose who already exhibit overweight. All thiswithout forgetting that the pleasure of eating is also part of the menu.